亞洲戲劇教育學刊 The Journal of Drama and Theatre Education in Asia (DaTEAsia)

User
Information
  • For Readers
  • For Authors
  • For Librarians
Notifications
  • View
  • Subscribe
Language
Journal Content

Browse
  • By Issue
  • By Author
  • By Title
Open Journal Systems
Font Size

Journal Help
  • Home
  • About
  • Current
  • Archives
  • Editorial Team
  • What's New
  • About TEFO
  • Useful Resources
  • Notes for Contributors
  • Search
Home > Vol 2, No 1 (2011) > Hui

How Effective is a Drama-enhanced Curriculum Doing to Increase the Creativity of Preschool Children and Their Teachers? 戲劇教學能有效提升學前兒童和教育工作者的創造力嗎?

許娜娜 Anna N. N. Hui, 張秉權 Ping-kuen Cheung, 王添強 Simon T. K. Wong, 何競 Mavis W. J. He

Abstract


In Hong Kong’s recent curriculum reform, creativity has been identified as a generic skill to be nurtured in our students of all levels in the key learning areas, including arts education. The present study evaluated the effects of a drama in education project on both students and teachers. Kindergarten and primary teachers took part in a 24-hour teacher training program on drama in education. Teachers also received support in lesson planning on drama-enhanced learning to the classes they were teaching. Students were randomly drawn from these classes to 

form the experimental group (83 kindergarten students) whereas 20 students from the same schools but were not taught by these teachers took part in the study as the control group. A total of 58 kindergarten teachers and primary school teachers completed both the pre-test and post-test. Significant differences were found in the teacher-perceived dramatics characteristics in the experimental group of students. Students who displayed more dramatics and creativity characteristics outperformed those with fewer characteristics in their verbal expression in story-telling. Significant positive effects were also found in the creative fostering teaching technique of teachers involved in the training. They encouraged their students to become independent and cooperative learners, accepted students’ ideas and provided them with try out opportunities. They also showed long term commitment to drama in education. Limitations and future directions are discussed.

Keywords: Drama-enhanced Curriculum; Creativity; Preschool Education 


創造力是近年教育改革下所提倡的一項共通能力,建議在各個的學 習領域中,包括:藝術教育,培訓各級學生的創造力。本研究評估 了戲劇教育培訓,對學生及教師的成效。幼稚園及小學教師透過 二十四小時的戲劇教育教師培訓,然而和戲劇教育導師一起策劃以 戲劇輔助教學的課程設計,並且進行試教。實驗組的學生,共 83 人是隨機從參與培訓計畫的老師任教班級中抽出,而控制組的學 生,共 20 人則由其他老師的同級不同班中隨機抽出。教師組則有 58 位小學及幼稚園老師參與,並且完成前、後測的問卷。結果顯 示實驗組的學生,經過戲劇教學後,老師觀察他們的戲劇特質較控 制組的學生明顯地高。本身具較高戲劇特質和創意特質的學生,他 們在講故事的口語表達能力亦較戲劇特質和創意特質低的學生明顯 地高。至於教師方面,戲劇教育培訓能有效提升教師的創意教學風格。教師更懂得鼓勵學生獨立和合作地學習,他們願意接納學生的 意見和提供嘗試的機會。這些教師對在校內推行戲劇教育亦有長遠 的承擔。研究的限制和未來方向亦會討論。

關鍵詞:戲劇化課程、創造力、學前教育 



Full Text:

PDF

References


Alencar, E. M. L. S. D. (2002). Mastering creativity for education in the 21st century.

Proceedings of the 13th biennial world conference of the world council for gifted and

talented children, Istanbul, Turkey, 13-21.

Amabile, T. M. (1996). Creativity in context. Boulder, CO: Westview Press.

Bolton, G. (2001). Changes in thinking about drama in education. Theory into Practice, 24 (3),

-157.

Bolton, G. (1984). Drama as education: An argument for placing drama at the centre of the

curriculum. England: Longman Group Ltd.

Brauer, G. (Ed.). (2002). Body and language: Intercultural learning through drama. Westport,

CT: Ablex Publishing.

Conard, F. (1992). The arts in education and a meta-analysis. Dissertation Abstracts

International, 53(5-A), 1381.

Courtney, R. (1990). Drama and intelligence: A cognitive theory. Montreal, Canada:

McGill-Queen’s University Press.

Curriculum Development Council (2002). Arts education, key learning area curriculum guide

(Primary 1 to Secondary 3). Hong Kong: The Education Department, HKSAR.

Davies, D., Howe, A., Fasciato, M., & Rogers, M. (2004). How do trainee teachers understand creativity? In Proceedings of the DATA international research conference: Creativity and

innovation 2004, Wallesbourne, UK.

Davis, D., & Lawrence, C. (Eds.). (1986). Gavin Bolton: Selected writing in drama education.

England: Longman Group Ltd.

Davis, S. H. (2006). Unleashing creativity in your schools. Leadership, November/December,

-10, 34-38.

Duatepe-Paksu, A., Ubuz, B. (2009). Effects of drama-based geometry instruction on student

achievement, attitudes, and thinking levels. Journal of Educational Research, 102(4), 272-286

Fryer, M., & Collings, J. (1991). Teachers’ views about creativity. British Journal of Educational

Psychology, 61, 207–219.

Gardner, H. (1993). Creating minds: An anatomy of creativity seen through the lives of Freud,

Einstein, Picasso, Stravinsky, Eliot, Graham and Gandhi. NewYork, NY: Basic Books.

Hao, G. C. (1998). One pizza, one penny. Taiwan: Grimm Press.

Hui, A. (2002). The implementation of creative teaching in English language learning. In

V. Cheng (Ed.), Creativity enhancement: School implementation and school-based

curriculum reform (pp. 39-52). Hong Kong: Free Communication.

Hui, A., & Lau, S. (2006). Drama education: A touch of the creative mind and

communicative-expressive ability of elementary school children in Hong Kong.

Thinking Skills and Creativity, 1 (1), 34-40.

Iwamura, K. (1994). Fourteen mice go on a picnic (Han Sheng Magazine, Trans). Hong Kong:

Dai Nippon Printing Co. (HK) Ltd. (Original work published in 1985)

Kampylis, P., Berki, E., Saariluoma, P. (2009) In-service and prospective teachers’ conceptions

of creativity. Thinking Skills and Creativity, 4, 15–29.

Kao, S. M., & O’Neill, C. (1998). Words into worlds: Learning a second language through process drama. Stamford, CT : Ablex Publishing.

Kardash, C. A. M. & Wright, L. (1986). Does creative drama benefit elementary school students? A meta-analysis. Youth Theatre Journal, 1(3), 11-18.

Kaufman, J. C., Plucker, J. A., & Baer, J. (2008). Essentials of creativity assessment. Hoboken, NJ: John Wiley & Sons, Inc.

Kitson, N., & Spiby, I. (1997). Drama 7–11: Developing primary teaching skills, curriculum in primary practice. London: Routledge.

Liu, J. (2002). Process drama in second- and foreign language classrooms. In G. Brauer (Ed.), Body and language: Intercultural learning through drama (pp. 51-70). Westport, CT : Ablex Publishing. Mack, R.W. (1987). Are methods of enhancing creativity being taught in teacher education programs as perceived by teacher educators and student teachers? The Journal of

Creative Behavior, 21(1), 22–33.

McCaslin, N. (1996). Creative drama in the classroom and beyond (6th Ed.). White Plains, NY:

Longman Publishers.

Mooney, R. L. (1975). A conceptual model for integrating four approaches to the identification

of creative talent. In C. W. Taylor & F. Barron (Eds.), Scientific creativity: Its recognition and

development (pp. 331-340). New York, NY: Robert E. Krieger.

Morgan, N., & Saxton, J. (2001). Working with drama: A different order of experience. Theory

into Practice, 24 (3), 212-218.

Piaget, J. (1959). The language and thought of the child (3rd ed.). London: Routledge. Podlozny, A. (2000). Strengthening verbal skills through the use of classroom drama: A clear

link. Journal of Aesthetic Education, 34 (3/4), 239–275.

Renzulli, J. S., Smith, L. H., White, A. J., Callahan, C. M., & Hartman, R. K. (1976). Scales for

rating the behavioral characteristics of superior students. Mansfield Center, CT: Creative

Learning Press.

Rogers, C. R. (1983). Freedom to learn for the 80’s. Columbus, OH: Merrill.

Soh, K. C. (2000). Indexing Creativity Fostering Teacher Behavior: A Preliminary Validation

Study. Journal of Creative Behavior, 34 (2), 118-134.

Torrance, E. P. (1979). An instructional model for enhancing incubation. Journal of Creative

Behavior, 13 (1), 23-35.

Torrance, E. P., & Safter, H. T. (1986). Are children becoming more creative? Journal of

Creative Behavior, 20, 1–13.

Torrance, E. P. (1995). Why fly? A philosophy of creativity. Norwood, NJ: Ablex Publishing

Corporate.

Wagner, B. J. (1998). Educational drama and language arts: What research shows.

Portsmouth, NH: Heinemann.

Wagner, B. J. (2002). Understanding drama-based education. In G. Brauer (Ed.), Body and

language: Intercultural learning through drama (pp.3-18). Westport, CT : Ablex Publishing.

Wallas, G. (1926). The art of thought. New York, NY: Harcourt, Brace, Jovanovich.

Westby, E. L., & Dawson, V. L. (1995). Creativity: Asset of burden in the classroom? Creativity

Research Journal, 8 (1), 1–11.

Wilhelm, J. D. (1998). Not for wimps! Using drama to enrich the reading of young adult

literature. Alan Review, 25 (3), 36–40.

Wong, T. K. (2004). The wonderful journey of Ming Ri’s Edu-Drama project. In Y. L. Chan (Ed.),

Building the capacity of drama/theatre education: Proceedings of the “Theatre in School”

conference 2002 (pp. 69-75). Hong Kong: Hong Kong Drama/Theatre and Education Forum. Wright, L. (2001). Preparing teachers to put drama in the classroom. Theory into Practice, 24

(3), 205-210.

Verriour, P. (2001). Face to face: Negotiating meaning through drama. Theory into Practice, 24

(3), 181-186.


Refbacks

  • There are currently no refbacks.